BRITTEN OBOE METAMORPHOSES PDF

Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, Britten composed this work for solo oboe for the oboist Joy Boughton who premiered the piece. Metamorphoses after Britten are just that: four miniatures, each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Benjamin Britten. Metamorphoses (6) after Ovid, for oboe solo, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓.

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Metamorphoses (6) after Ovid, for… | Details | AllMusic

Each of the six sections is based on a character from Roman mythology who is briefly described: However rich in tone, it is basically without extensive change in color throughout its two-and-a-half octave range and is generally monophonic.

Views Read Edit View history. Ovid’s greatest work, Metamorphoses, is a fifteen-volume treatise of the disillusionment of his generation described in terms of the instability of nature.

It is dedicated to oboist Joy Boughtondaughter of Benjamin Britten’s friend and fellow composer Rutland Boughtonwho gave the first performance at the Aldeburgh Festival on 14 June Retrieved from ” https: Benjamin Britten Six Metamorphoses after Ovid Benjamin Britten was an enthusiastic composer of music for metamorphpses close friends and colleagues, including solo works ohoe cello, harp, and oboe.

Music By Benjamin Britten. InBritten was primarily concerned with writing his opera Billy Budd. AllMusic Featured Composition Noteworthy. Six Metamorphoses after Ovid Op.

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Night Mail The Prince of the Pagodas In the same year Nritten composed six little pieces for solo oboe, to be performed by Joy Boughton daughter of the composer Rutland Boughton during the Aldeburgh Festival. The four-part fourth metamorphosis reflects the atmosphere of a drunken feast or festival.

Rainy Day Relaxation Road Meyamorphoses. This page was last edited on 26 Septemberat Masters of the Oboe. Introspection Late Night Partying. Drinking Hanging Out In Love.

Britten turned for inspiration to Ovid, the exiled Roman poet who died in 17 A. This contrasts with the second metamorphosis, a quick and rhythmic representation of the chariot ride of Phaeton, marked vivace ritmico.

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Six Metamorphoses after Ovid. The characteristics of each God can therefore be fully represented through the performance.

Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, 1951.

Romantic Evening Sex All Themes. The fifth, marked lento piacevoleis meant to convey the act of staring at a reflection in a pool.

Genre Chamber Music Classical. List of compositions by Benjamin Britten Category: Benjamin Britten Collector’s Edition.

Classical Net – Britten – Six Metamorphoses after Ovid

The work concludes with a “pleasant and meandering” representation of beauty and flow. British Music for Solo Oboe. When Wind Comes to Sparse Bamboo. Abstract, non-linear use of pseudo-traditional harmonies such as triads, dominant seventh chords with irregular resolutions, etc. Retrieved 2 August Master of the Oboe: Britten has titled his Six Metamorphoses After Ovid using names of the some of the legendary figures who appear in the great Roman poet’s work.

By restricting himself so thoroughly, the musical processes can remain pure throughout the six movements. Britten ‘s only work for solo oboe takes Ovid’s famous literary work by the same name as its starting point.

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Works for Oboe and Piano. From Wikipedia, the free encyclopedia. Benjamin Britten was an enthusiastic composer of music for his close friends and colleagues, metamorhposes solo works for cello, harp, and oboe. Complete Works with Oboe. By using this site, you agree to the Terms of Use and Privacy Policy. After a musical portrayal of Bacchus, Britten moves on to the appropriately reflective tale of Narcissus and finally to the waterlogged cellular variations of Ovid’s Arethusa.

Streams Videos All Posts. Yet, upon further acquaintance with the music, it becomes clear that it is these very restrictions that attracted Britten to the instrument and which allow his melodic and harmonic metamorphoses to take center stage, unfolding with great clarity. Homage to Paderewski Variations on an Elizabethan Theme Obviously, the many fermatas and rests that pop up throughout this and the other five movements are not only for the purposes of isolating different musical fragments, but also designed to keep the performer briten passing out.

Music for Oboe; Music for Piano.